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The Csus2 chord

Wonderwall opens here. So does Don't Look Back in Anger. A chord that asks a question. The Csus2 (C - D - G) is a suspended second, which is why it sounds a quartal hover above the root. Writers pick it for an unresolved, hovering feel, and you can find it across arpeggiated guitar parts and floating ballad intros. On guitar the chord sits easily under standard open chord shapes; on piano it stacks straight up under the right hand. The page below covers the voicings worth memorising, the theory, the progressions where the Csus2 earns its keep, and the records that lean on it.

Hear the Csus2 in the chord builder →

Voicings for Csus2

Common ways to grip the Csus2 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Csus2 across the neck. Pick the shape closest to where your hand already sits.

Guitar: Asus2 shape at fr.3
Notes: C - D - G (chord tones)
Guitar: Esus2 shape at fr.8
Notes: C - D - G (chord tones)
Guitar: Dsus2 shape at fr.10
Notes: C - D - G (chord tones)
Guitar: top-4 voicing
Notes: C - D - G (chord tones)
Guitar: high top-4 voicing
Notes: C - D - G (chord tones)

Guitar , triad shapes

Three-note voicings on three adjacent strings. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top-string triad
Notes: 3-note voicing on adjacent strings
Triad: middle-string triad
Notes: 3-note voicing on adjacent strings
Triad: bass-side triad
Notes: 3-note voicing on adjacent strings

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: C - D - G. Root C at the bottom. The classic stacked-thirds spelling of a suspended second.
Piano: first inversion
Notes: D - G - C. D at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: G - C - D. G at the bottom. A floating, suspended feel often used in hymns and ballads.

The theory behind Csus2

Spell out the Csus2 and you get C - D - G. The intervals from the root are root, major second, perfect fifth, which is the recipe for a suspended second. In a closely related major key the chord plays the role of passing chord; in a closely related major key it shows up as passing chord. Its preferred next move is resolve to its parent major or minor, which is what makes it useful in indie rock and worship music.

Progressions that use Csus2

Short progressions that put the Csus2 to work. Each one is shown in a different key so you can pick the one that suits your singer.

IIVV key of C major
Csus2 (as passing colour)

This chord appears as a borrowed or passing chord in many major-key progressions.

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Songs that feature Csus2

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Csus2 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Csus2 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Csus2 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Csus2. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.