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The Db chord

Five flats deep, and a pianist's secret weapon for late-night ballads. The Db (Db - F - Ab) is a major triad, which is why it sounds warm, settled and direct. Writers pick it for a stable home, and you can find it across any songbook on the planet. On guitar the chord sits comfortably under a barre at the second fret; on piano it stacks straight up under the right hand. The page below covers the voicings worth memorising, the theory, the progressions where the Db earns its keep, and the records that lean on it.

Hear the Db in the chord builder →
Scale degrees Note names

Voicings for Db

Common ways to grip the Db on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Db across the neck. Pick the shape closest to where your hand already sits.

Guitar: E shape at fr.9
Notes: Db - F - Ab (chord tones)
Guitar: A shape at fr.4
Notes: Db - F - Ab (chord tones)
Guitar: D shape at fr.11
Notes: Db - F - Ab (chord tones)
Guitar: C shape at fr.1
Notes: Db - F - Ab (chord tones)
Guitar: G shape at fr.6
Notes: Db - F - Ab (chord tones)
Guitar: top-4 voicing
Notes: Db - F - Ab (chord tones)
Guitar: high top-4 voicing
Notes: Db - F - Ab (chord tones)

Guitar , triad shapes

Three-note triad shapes on each string set, shown moving up the neck. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top strings (G-B-e) · fr.1
Notes: top-string triad, fr.1
Triad: top strings (G-B-e) · fr.4
Notes: top-string triad, fr.4
Triad: top strings (G-B-e) · fr.9
Notes: top-string triad, fr.9
Triad: middle strings (D-G-B) · fr.1
Notes: middle-string triad, fr.1
Triad: middle strings (D-G-B) · fr.6
Notes: middle-string triad, fr.6
Triad: middle strings (D-G-B) · fr.9
Notes: middle-string triad, fr.9
Triad: bass strings (A-D-G) · fr.1
Notes: bass-side triad, fr.1
Triad: bass strings (A-D-G) · fr.6
Notes: bass-side triad, fr.6
Triad: bass strings (A-D-G) · fr.10
Notes: bass-side triad, fr.10

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: Db - F - Ab. Root Db at the bottom. The classic stacked-thirds spelling of a major triad.
Piano: first inversion
Notes: F - Ab - Db. F at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: Ab - Db - F. Ab at the bottom. A floating, suspended feel often used in hymns and ballads.

The theory behind Db

Spell out the Db and you get Db - F - Ab. The intervals from the root are root, major third, perfect fifth, which is the recipe for a major triad. In Ab major the chord plays the role of Subdominant (IV); in Db major it shows up as Tonic (I). Its preferred next move is stay home or move to the IV or V, which is what makes it useful in any major-key songbook.

Progressions that use Db

Short progressions that put the Db to work. Each one is shown in a different key so you can pick the one that suits your singer.

IVviIV key of Ab major
Ab - Eb - Fm - Db

The four-chord engine behind a thousand pop hits. The lift from I to V opens the chorus, vi pulls down into feeling, IV walks back toward home.

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IVviIV key of Db major
Db - Ab - Bbm - Gb

The four-chord engine behind a thousand pop hits. The lift from I to V opens the chorus, vi pulls down into feeling, IV walks back toward home.

→ Build this in the chord builder
iVIIIIVII key of F minor
Fm - Db - Ab - Eb

Heroic minor four-chord. The descent from i to VI to III gives the verse weight, VII slingshots back to the tonic. The Andalusian cousin of the pop axis.

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iVIIIIVII key of Bb minor
Bbm - Gb - Db - Ab

Heroic minor four-chord. The descent from i to VI to III gives the verse weight, VII slingshots back to the tonic. The Andalusian cousin of the pop axis.

→ Build this in the chord builder

Songs that feature Db

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Db in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Db lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

Related references

Other ways to put the Db to work across the reference library.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Db fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Db. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.