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The Dmaj7 chord

The lush chord that opens Just the Two of Us and a hundred other smooth-jazz singles. The Dmaj7 (D - F# - A - C#) is a major seventh, which is why it sounds soft, dreamy and unresolved. Writers pick it for lo-fi atmosphere, and you can find it across the standards repertoire and most singer-songwriter cycles. On guitar the chord sits easily under standard open chord shapes; on piano it stacks straight up under the right hand. The page below covers the voicings worth memorising, the theory, the progressions where the Dmaj7 earns its keep, and the records that lean on it.

Hear the Dmaj7 in the chord builder →

Voicings for Dmaj7

Common ways to grip the Dmaj7 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Dmaj7 across the neck. Pick the shape closest to where your hand already sits.

Guitar: Emaj7 shape at fr.10
Notes: D - F# - A - C# (chord tones)
Guitar: Amaj7 shape at fr.5
Notes: D - F# - A - C# (chord tones)
Guitar: Dmaj7 shape at fr.2
Notes: D - F# - A - C# (chord tones)
Guitar: Cmaj7 shape at fr.2
Notes: D - F# - A - C# (chord tones)
Guitar: Gmaj7 shape at fr.7
Notes: D - F# - A - C# (chord tones)

Guitar , triad shapes

Three-note voicings on three adjacent strings. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top-string triad
Notes: 3-note voicing on adjacent strings
Triad: middle-string triad
Notes: 3-note voicing on adjacent strings
Triad: bass-side triad
Notes: 3-note voicing on adjacent strings

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: D - F# - A - C#. Root D at the bottom. The classic stacked-thirds spelling of a major seventh.
Piano: first inversion
Notes: F# - A - C# - D. F# at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: A - C# - D - F#. A at the bottom. A floating, suspended feel often used in hymns and ballads.
Piano: third inversion
Notes: C# - D - F# - A. C# at the bottom. The seventh in the bass , a smooth jazz favourite.

The theory behind Dmaj7

Spell out the Dmaj7 and you get D - F# - A - C#. The intervals from the root are root, major third, perfect fifth, major seventh, which is the recipe for a major seventh. In a closely related major key the chord plays the role of passing chord; in a closely related major key it shows up as passing chord. Its preferred next move is stay home, or relax sideways to the vi, which is what makes it useful in jazz and modern R&B.

Progressions that use Dmaj7

Short progressions that put the Dmaj7 to work. Each one is shown in a different key so you can pick the one that suits your singer.

IIVV key of C major
Dmaj7 (as passing colour)

This chord appears as a borrowed or passing chord in many major-key progressions.

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Songs that feature Dmaj7

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Dmaj7 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Dmaj7 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Dmaj7 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Dmaj7. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.