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The Am6 chord

Start with the recipe. The notes are A - C - E - F#, a minor sixth, otherwise known as the Am6. The chord feels a minor with a touch of brightness, which is why writers chasing a vintage minor flavour keep landing on it. Light My Fire by The Doors leans on Am6 throughout the verse. You will find it inside vintage jazz and 1930s-style ballads. The rest of this page lays out the common voicings, the interval theory, the progressions where the chord fits, and the records that lean on it for structural work.

Hear the Am6 in the chord builder →

Voicings for Am6

Common ways to grip the Am6 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Am6 across the neck. Pick the shape closest to where your hand already sits.

Guitar: Am6 shape
Notes: A - C - E - F# (chord tones)
Guitar: Em6 shape at fr.5
Notes: A - C - E - F# (chord tones)
Guitar: Dm6 shape at fr.7
Notes: A - C - E - F# (chord tones)
Guitar: top-4 voicing
Notes: A - C - E - F# (chord tones)

Guitar , triad shapes

Three-note voicings on three adjacent strings. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top-string triad
Notes: 3-note voicing on adjacent strings
Triad: middle-string triad
Notes: 3-note voicing on adjacent strings
Triad: bass-side triad
Notes: 3-note voicing on adjacent strings

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: A - C - E - F#. Root A at the bottom. The classic stacked-thirds spelling of a minor sixth.
Piano: first inversion
Notes: C - E - F# - A. C at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: E - F# - A - C. E at the bottom. A floating, suspended feel often used in hymns and ballads.
Piano: third inversion
Notes: F# - A - C - E. F# at the bottom. The seventh in the bass , a smooth jazz favourite.

The theory behind Am6

Spell out the Am6 and you get A - C - E - F#. The intervals from the root are root, minor third, perfect fifth, major sixth, which is the recipe for a minor sixth. In a closely related major key the chord plays the role of passing chord; in a closely related major key it shows up as passing chord. Its preferred next move is resolve to the dominant or back to the i, which is what makes it useful in the Great American Songbook.

Progressions that use Am6

Short progressions that put the Am6 to work. Each one is shown in a different key so you can pick the one that suits your singer.

iivV key of A minor
Am6 (as passing colour)

This chord appears as a borrowed or passing chord in many minor-key progressions.

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Songs that feature Am6

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Am6 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Am6 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Am6 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Am6. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.