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The Bdim chord

The Bdim chord is a passing chord that needs to move. Its notes (B - D - F) form a diminished triad, which is why it shows up across early jazz and the Great American Songbook. Songwriters pick the Bdim when they want a passing tension between two stable chords, and on guitar it sits near the nut for most common keys. The vii chord in C major, and a turnaround colour in jazz standards. The voicings, theory, progressions and song references that follow are organised so you can skim once or settle in for the full picture.

Hear the Bdim in the chord builder →

Voicings for Bdim

Common ways to grip the Bdim on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Bdim across the neck. Pick the shape closest to where your hand already sits.

Guitar: A-string dim at fr.2
Notes: B - D - F (chord tones)
Guitar: D-string dim at fr.9
Notes: B - D - F (chord tones)
Guitar: top-4 voicing
Notes: B - D - F (chord tones)

Guitar , triad shapes

Three-note voicings on three adjacent strings. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top-string triad
Notes: 3-note voicing on adjacent strings
Triad: middle-string triad
Notes: 3-note voicing on adjacent strings
Triad: bass-side triad
Notes: 3-note voicing on adjacent strings

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: B - D - F. Root B at the bottom. The classic stacked-thirds spelling of a diminished triad.
Piano: first inversion
Notes: D - F - B. D at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: F - B - D. F at the bottom. A floating, suspended feel often used in hymns and ballads.

The theory behind Bdim

Bdim is a diminished triad built on B. Its three or four notes (B - D - F) sit a specific distance apart: root, minor third, diminished fifth. That makes it a Leading tone (vii°) in the key of C major, and the same chord works as the Supertonic (ii°) in A minor. The simplest rule of thumb: the Bdim wants to resolve up a half-step or down to the I.

Progressions that use Bdim

Short progressions that put the Bdim to work. Each one is shown in a different key so you can pick the one that suits your singer.

iivV key of A minor
Bdim (as passing colour)

This chord appears as a borrowed or passing chord in many minor-key progressions.

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Songs that feature Bdim

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Bdim in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Bdim lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Bdim fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Bdim. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.