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The Bm chord

The first barre chord most guitar students learn after F, and the centre of countless indie ballads. The Bm (B - D - F#) is a minor triad, which is why it sounds a chord that quiets a room. Writers pick it for weight without melodrama, and you can find it across any minor-key songbook. On guitar the chord sits right under the fingers in open position; on piano it stacks straight up under the right hand. The page below covers the voicings worth memorising, the theory, the progressions where the Bm earns its keep, and the records that lean on it.

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Scale degrees Note names

Voicings for Bm

Common ways to grip the Bm on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Bm across the neck. Pick the shape closest to where your hand already sits.

Guitar: Em shape at fr.7
Notes: B - D - F# (chord tones)
Guitar: Am shape at fr.2
Notes: B - D - F# (chord tones)
Guitar: Dm shape at fr.9
Notes: B - D - F# (chord tones)
Guitar: top-4 voicing
Notes: B - D - F# (chord tones)
Guitar: high top-4 voicing
Notes: B - D - F# (chord tones)

Guitar , triad shapes

Three-note triad shapes on each string set, shown moving up the neck. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top strings (G-B-e) · fr.2
Notes: top-string triad, fr.2
Triad: top strings (G-B-e) · fr.7
Notes: top-string triad, fr.7
Triad: top strings (G-B-e) · fr.10
Notes: top-string triad, fr.10
Triad: middle strings (D-G-B) · fr.3
Notes: middle-string triad, fr.3
Triad: middle strings (D-G-B) · fr.7
Notes: middle-string triad, fr.7
Triad: middle strings (D-G-B) · fr.11
Notes: middle-string triad, fr.11
Triad: bass strings (A-D-G) · fr.4
Notes: bass-side triad, fr.4
Triad: bass strings (A-D-G) · fr.7
Notes: bass-side triad, fr.7
Triad: bass strings (A-D-G) · fr.11
Notes: bass-side triad, fr.11

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: B - D - F#. Root B at the bottom. The classic stacked-thirds spelling of a minor triad.
Piano: first inversion
Notes: D - F# - B. D at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: F# - B - D. F# at the bottom. A floating, suspended feel often used in hymns and ballads.

The theory behind Bm

The Bm chord (B - D - F#) is a minor triad. Its intervals are root, minor third, perfect fifth. Functionally it lives at home in G major as the Mediant (iii), but you'll also find it in D major as the Submediant (vi). The chord tends to move to its relative major or step down to the bVII, which is why it shows up in any minor-key song.

Progressions that use Bm

Short progressions that put the Bm to work. Each one is shown in a different key so you can pick the one that suits your singer.

IVviIV key of D major
D - A - Bm - G

The four-chord engine behind a thousand pop hits. The lift from I to V opens the chorus, vi pulls down into feeling, IV walks back toward home.

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iiVI key of A major
Bm - E - A

The cornerstone of every jazz standard. ii sets up the dominant, V resolves home with full gravity. Add a seventh on each chord for the canonical sound.

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iivVi key of E minor
Em - Am - Bm - Em

The classical pull. The V is borrowed from harmonic minor (a major V instead of v), creating a sharper push back to the tonic. Used in flamenco, classical and metal alike.

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iVIIIIVII key of B minor
Bm - G - D - A

Heroic minor four-chord. The descent from i to VI to III gives the verse weight, VII slingshots back to the tonic. The Andalusian cousin of the pop axis.

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Songs that feature Bm

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Bm in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Bm lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

Related references

Other ways to put the Bm to work across the reference library.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Bm fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Bm. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.