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The Db9 chord

Think of the Db9 as the colour a blues turnaround loves. The chord is built from Db - F - Ab - B - Eb, a textbook dominant ninth. It does its strongest work in every blues form and most jazz tunes, where it tends to push to the IV chord in blues. The Db9 stays useful for years. Voicings on both instruments, theory in plain language, progressions in multiple keys and a handful of real song references are all laid out below.

Hear the Db9 in the chord builder →

Voicings for Db9

Common ways to grip the Db9 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Db9 across the neck. Pick the shape closest to where your hand already sits.

Guitar: E9 shape at fr.9
Notes: Db - F - Ab - B - Eb (chord tones)
Guitar: 9th shape at fr.3
Notes: Db - F - Ab - B - Eb (chord tones)

Guitar , triad shapes

Three-note triad shapes on each string set, shown moving up the neck. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top strings (G-B-e) · fr.1
Notes: top-string triad, fr.1
Triad: top strings (G-B-e) · fr.6
Notes: top-string triad, fr.6
Triad: top strings (G-B-e) · fr.10
Notes: top-string triad, fr.10
Triad: middle strings (D-G-B) · fr.3
Notes: middle-string triad, fr.3
Triad: middle strings (D-G-B) · fr.6
Notes: middle-string triad, fr.6
Triad: middle strings (D-G-B) · fr.10
Notes: middle-string triad, fr.10
Triad: bass strings (A-D-G) · fr.3
Notes: bass-side triad, fr.3
Triad: bass strings (A-D-G) · fr.6
Notes: bass-side triad, fr.6
Triad: bass strings (A-D-G) · fr.8
Notes: bass-side triad, fr.8

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: Db - F - Ab - B - Eb. Root Db at the bottom. The classic stacked-thirds spelling of a dominant ninth.
Piano: first inversion
Notes: F - Ab - B - Eb - Db. F at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: Ab - B - Eb - Db - F. Ab at the bottom. A floating, suspended feel often used in hymns and ballads.
Piano: third inversion
Notes: B - Eb - Db - F - Ab. B at the bottom. The seventh in the bass , a smooth jazz favourite.

The theory behind Db9

Spell out the Db9 and you get Db - F - Ab - B - Eb. The intervals from the root are root, major third, perfect fifth, minor seventh and major ninth, which is the recipe for a dominant ninth. In a closely related major key the chord plays the role of passing chord; in a closely related major key it shows up as passing chord. Its preferred next move is resolve down a fifth to the next chord, which is what makes it useful in funk, soul, blues and jazz.

Progressions that use Db9

Short progressions that put the Db9 to work. Each one is shown in a different key so you can pick the one that suits your singer.

IIVV key of C major
Db9 (as passing colour)

This chord appears as a borrowed or passing chord in many major-key progressions.

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Songs that feature Db9

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Db9 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Db9 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

Related references

Other ways to put the Db9 to work across the reference library.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Db9 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Db9. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.