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The Ebmaj7 chord

The Ebmaj7 chord is the jazz-pop sweetness chord. Its notes (Eb - G - Bb - D) form a major seventh, which is why it shows up across jazz standards, lo-fi beats and indie ballads. Songwriters pick the Ebmaj7 when they want a jazz-pop sheen, and on guitar it sits comfortably under a barre at the second fret. The voicings, theory, progressions and song references that follow are organised so you can skim once or settle in for the full picture.

Hear the Ebmaj7 in the chord builder →

Voicings for Ebmaj7

Common ways to grip the Ebmaj7 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for Ebmaj7 across the neck. Pick the shape closest to where your hand already sits.

Guitar: Emaj7 shape at fr.11
Notes: Eb - G - Bb - D (chord tones)
Guitar: Amaj7 shape at fr.6
Notes: Eb - G - Bb - D (chord tones)
Guitar: Dmaj7 shape at fr.1
Notes: Eb - G - Bb - D (chord tones)
Guitar: Cmaj7 shape at fr.3
Notes: Eb - G - Bb - D (chord tones)
Guitar: Gmaj7 shape at fr.8
Notes: Eb - G - Bb - D (chord tones)
Guitar: top-4 voicing
Notes: Eb - G - Bb - D (chord tones)
Guitar: high top-4 voicing
Notes: Eb - G - Bb - D (chord tones)

Guitar , triad shapes

Three-note triad shapes on each string set, shown moving up the neck. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top strings (G-B-e) · fr.3
Notes: top-string triad, fr.3
Triad: top strings (G-B-e) · fr.6
Notes: top-string triad, fr.6
Triad: top strings (G-B-e) · fr.10
Notes: top-string triad, fr.10
Triad: middle strings (D-G-B) · fr.3
Notes: middle-string triad, fr.3
Triad: middle strings (D-G-B) · fr.7
Notes: middle-string triad, fr.7
Triad: middle strings (D-G-B) · fr.11
Notes: middle-string triad, fr.11
Triad: bass strings (A-D-G) · open
Notes: bass-side triad, open
Triad: bass strings (A-D-G) · fr.3
Notes: bass-side triad, fr.3
Triad: bass strings (A-D-G) · fr.7
Notes: bass-side triad, fr.7

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: Eb - G - Bb - D. Root Eb at the bottom. The classic stacked-thirds spelling of a major seventh.
Piano: first inversion
Notes: G - Bb - D - Eb. G at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: Bb - D - Eb - G. Bb at the bottom. A floating, suspended feel often used in hymns and ballads.
Piano: third inversion
Notes: D - Eb - G - Bb. D at the bottom. The seventh in the bass , a smooth jazz favourite.

The theory behind Ebmaj7

Ebmaj7 is a major seventh built on Eb. Its three or four notes (Eb - G - Bb - D) sit a specific distance apart: root, major third, perfect fifth, major seventh. That makes it a passing chord in the key of a closely related major key, and the same chord works as the passing chord in a closely related major key. The simplest rule of thumb: the Ebmaj7 wants to stay home, or relax sideways to the vi.

Progressions that use Ebmaj7

Short progressions that put the Ebmaj7 to work. Each one is shown in a different key so you can pick the one that suits your singer.

IIVV key of C major
Ebmaj7 (as passing colour)

This chord appears as a borrowed or passing chord in many major-key progressions.

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Songs that feature Ebmaj7

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the Ebmaj7 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where Ebmaj7 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

Related references

Other ways to put the Ebmaj7 to work across the reference library.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the Ebmaj7 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the Ebmaj7. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.