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The F#6 chord

The F#6 (F# - A# - C# - D#) is a major sixth, which is why it sounds a nostalgic major chord, common in jazz and old-time pop. Writers pick it for nostalgia, big-band warmth, a country swing, and you can find it across jazz standards and old-time country. On guitar the chord sits comfortably under a barre at the second fret; on piano it stacks straight up under the right hand. The page below covers the voicings worth memorising, the theory, the progressions where the F#6 earns its keep, and the records that lean on it.

Hear the F#6 in the chord builder →

Voicings for F#6

Common ways to grip the F#6 on guitar and piano. Guitar diagrams read low E to high E left-to-right; an × means muted, an open circle above the nut means an open string. Filled dots are fretted notes.

Guitar , full chord shapes

CAGED-derived voicings for F#6 across the neck. Pick the shape closest to where your hand already sits.

Guitar: E6 shape at fr.2
Notes: F# - A# - C# - D# (chord tones)
Guitar: A6 shape at fr.9
Notes: F# - A# - C# - D# (chord tones)
Guitar: C6 shape at fr.6
Notes: F# - A# - C# - D# (chord tones)
Guitar: G6 shape at fr.11
Notes: F# - A# - C# - D# (chord tones)
Guitar: top-4 voicing
Notes: F# - A# - C# - D# (chord tones)
Guitar: high top-4 voicing
Notes: F# - A# - C# - D# (chord tones)

Guitar , triad shapes

Three-note triad shapes on each string set, shown moving up the neck. Light textures for arpeggios, pop layering and chord-melody work.

Triad: top strings (G-B-e) · fr.4
Notes: top-string triad, fr.4
Triad: top strings (G-B-e) · fr.8
Notes: top-string triad, fr.8
Triad: top strings (G-B-e) · fr.11
Notes: top-string triad, fr.11
Triad: middle strings (D-G-B) · fr.1
Notes: middle-string triad, fr.1
Triad: middle strings (D-G-B) · fr.4
Notes: middle-string triad, fr.4
Triad: middle strings (D-G-B) · fr.8
Notes: middle-string triad, fr.8
Triad: bass strings (A-D-G) · fr.1
Notes: bass-side triad, fr.1
Triad: bass strings (A-D-G) · fr.4
Notes: bass-side triad, fr.4
Triad: bass strings (A-D-G) · fr.6
Notes: bass-side triad, fr.6

Piano voicings

Root position and inversions. The bass note matters: each inversion changes how the chord sits under a melody.

Piano: root position
Notes: F# - A# - C# - D#. Root F# at the bottom. The classic stacked-thirds spelling of a major sixth.
Piano: first inversion
Notes: A# - C# - D# - F#. A# at the bottom. Common in chord-melody, walking bass lines and gentler voicings.
Piano: second inversion
Notes: C# - D# - F# - A#. C# at the bottom. A floating, suspended feel often used in hymns and ballads.
Piano: third inversion
Notes: D# - F# - A# - C#. D# at the bottom. The seventh in the bass , a smooth jazz favourite.

The theory behind F#6

F#6 is a major sixth built on F#. Its three or four notes (F# - A# - C# - D#) sit a specific distance apart: root, major third, perfect fifth, major sixth. That makes it a passing chord in the key of a closely related major key, and the same chord works as the passing chord in a closely related major key. The simplest rule of thumb: the F#6 wants to stay home as a coloured I chord.

Progressions that use F#6

Short progressions that put the F#6 to work. Each one is shown in a different key so you can pick the one that suits your singer.

IIVV key of C major
F#6 (as passing colour)

This chord appears as a borrowed or passing chord in many major-key progressions.

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Songs that feature F#6

Real records where this chord does structural work. No lyrics quoted, just the title and artist so you can pull up a copy and hear it in context.

Related chords

Chords a step away from the F#6 in the songwriting circle, the natural neighbours when you want a substitution.

Keys where F#6 lives

The keys where this chord turns up diatonically. Open any key page for the full set of progressions that lean on it.

Related references

Other ways to put the F#6 to work across the reference library.

More songwriting tools

Got the chord but still wrestling with the lyric? Find the right rhyme in RhymeForge, or break a writer's block with the unexpected word-pair generator in CollisionLab. Need to map a full progression? The chord builder on the home page is where the F#6 fits into context. All free, no signup.

About the chord builder

The Undercover Zest chord progression builder is a free interactive tool that maps every diatonic and borrowed chord in every key. Click a Roman numeral to hear it, drag chords into a progression, then audition voicings, inversions and tensions until the song clicks.

This page is a static reference for the F#6. For interactive playback, voice-leading hints and substitution suggestions, open the chord builder above.